These are images I found of war posters. The top image is a World War I poster similar to the ones we looked at in class, and the bottom image is a modern poster.
I think it is very interesting to compare the two. Actually, I guess I should say contrast the two, since there really aren't any similiarites between them. The WWI poster is much more subtle, in its message and colors. The modern poster is so much louder and 'in your face.' The design of this one is pretty clever. The designer chose to parody the popular iPod ads.
Those iPod ads are everywhere, so I think just about everyone knows what they are. If you can't read the text on them, the real iPod ads say "10,000 songs in your pocket, Mac or PC," and the war poster says "10,000 volts in your pocket, guilty or innocent."
My, how times have changed! Obviously, these posters are describing two very different wars during two very different times, but I still think it is interesting to note the differences between them stylistically.
I also thought that the placement of the bottom poster was clever. Not only is it mimicking one of the iPod ads, but it's right in the middle of a bunch of the actual iPod ads. It would be kind of funny to be walking down the street looking at these iPod ads and then suddenly be looking at that!
Friday, October 17, 2008
I like the work from the Dadaist. I may not get why they reformed when it seems it was just another direction that art was moving in. The graphics catch my eye the most. It is just randomness and chaos; sometimes I wish I could just do that, but everything has to be so precise for me. There is no rhyme nor reason to anything, it's just there.
The one part I don't get about dadaism is why they plastered "Dada" all over their artwork. The picture to the right doesn't but others do. Obviously there must be a reason somewhere.
Monday, October 6, 2008
We briefly discussed photography in class last week. But I wanted to discuss it a little bit more, since last year I took a very interesting class that broadened my knowledge on the history of photography. Shockingly enough, it wasn't even a photography class. It was a class called "philosophy of the environment". Toward the end of the class, our teacher shared a lot of information about how tedious the process was, and how long it took to get a good image of the outdoors. Camera's were certainly not very portable. If you wanted an 8x10 of a landscape, a photographer had to carry a camera that could hold a 8x10 plate in it to capture the image on. These plates were not cheap, and they were heavy! Definitely not portable! So to get this photograph of a landscape, your photographer would have to carry a huge camera and multiple plates around with him or her. There is no way they could get the perfect shot, in one take. My teacher also explained to us that these plates had to be processed immediately. So on top of carrying the plates, and the camera, your photographer would have to carry around all of the chemicals needed, and in some cases a portable dark room tent. That sounds like a lot of work when compared to how easy it is to capture a photograph of a landscape today with our digital cameras. However, some will argue that you can't beat the quality and detail of an original Daguerreotype. My teacher will argue that the Daguerreotype process produces a much better image then a digital camera any day.
So in class last week, Tyler said something about a majority of persons in the design business getting out of it and reasons why they would. So I tried to find advice from some successful designers with longevity in their field.
Michael Bierut (image 1) said "Clients are most afraid that you’re going to go off and design something without really listening first. Just keep asking questions: the more you ask, the more you’ll understand what the client is looking for in a designer."
David Schimmel (image 2 & 3) said "Figure out what your vision is, what your interests are and where you want to focus — and then spend the time when you’re not designing pursuing clients in that area. People work with people they want to work with, not necessarily those who are best for the job. And it’s not always fair. Instead of fighting, try to embrace it, and then you can succeed."
Michael Schwab (image 4) said "You cannot be shy. You have to be aggressive. It helps to be obsessed and driven. When you’re starting out, strive to work for people who really inspire you, and who you admire not only creatively, but ethically."
To find more advice and profile information including how and why they got into the business, their "keys to success", tips to a sustainable career, favorite accomplishments, and SO much more, check out http://willsherwood.com You can see their work in a larger format and there were also 7 more designers interviewed including illustrators!!